Help The Lot Finish Production
Click to DonateWelcome to The Lot -- the birthplace of ultimate frisbee and the title of this feature documentary.
THE LOT tells the story of 57 years of ultimate frisbee as an outsider sport. From its curious birth to its status today, ultimate remains an elusive endeavor. Neither varsity nor amateur, the inclusive, egalitarian principles of ultimate have carried across generations and remain at the forefront today. But at what cost?
Where Your Money Goes
Independent documentaries need independent support. In the current environment, this film will not finish without support from our community. Your contribution goes towards:
-- Shooting with CHS in Spring 2025
-- Sample edits of material
-- Final round of interviews with Christy Whitehead Sullivan, Joel Silver, Marty Berman, Jane Lowell Evans, Walter Sabo, Dave Leiwant, Jackie Miller, Irv Kalb and more.
This project is fiscally sponsored by the 501(c)(3) International Documentary Association and contributions are considered charitable and tax-deductible. Please check your company's charitable gift program. Many companies offer matching dollars. You can also contribute via check, ACH, wire transfer, securities and in-kind donations.
Join The Booster Club. Ultimate alumni — this is a chance to give back and help the film get to the finish line
Member Levels
$100-$250: frisbee sticker pack
$250-$500: stickers four-pack and replica copy of the second CHS rules pamphlet
$500-$1000: all of the above plus a nifty The Lot: Est 1968 hat
$5,000- $10,000: Booster Club w/ access to edited scenes, archival material, weekly updates, behind the scenes, special film credit, all of the swag above and more
$25,000 & up: Producer-level film credits and access to investment tier
The Lot is directed by ultimate player, author and historian Tony Leonardo
Questions? Want to see scenes? email [email protected]
THANK YOU
March 2025
Dave Meyer, Robert Evans, Irv Kalb, Ed Levy
1972 at the Parking Lot photo by ®Larry Schindel
Sponsor via Credit Card or eCheck
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